Art History (Art history from 1945 to the present) Research Paper

Art chronicle (Art history from 1945 to the present) - Research Paper ExampleThis is required to understand the comparison between the maneuver forms and the artists. If we chitchat the diaphragm of modern art it started taking form post the Second World War. Te warfare changed entire equations in every perspective world over. It was as good as a period of creation post destruction. Hence defying the set rules of art comes as the first logical step. Abstract expressionism evolved with this theory. An object is for everyone to canvass. What an artist perceives beyond the form is what makes viewing the object in a different light. other view is to perceive the object through the art that is expressed. In such case keeping the art abstract comes in as naturalAbstract expressionism hence does not recognize whatsoever form, any shape, any definite layout. It believes in the beauty of the satisfying in its original form. This is a very vivacious concept. Recognizing that the mate rial does not experience a form is fine but to be able to see the beauty in its original form is another thing altogether. In Gutai art, Yoshihara clearly states that the material in its original form tries to communicate to us. When an artist transforms it, he imposes his thought process on the material. Hence the material loses its own beauty, value and nature. Gutai manifesto also states that the spirit of the material used and the human spirit marry to each other whenever they are in the original form. Now if we try and understand this concept, we realize that Yoshihara doesnt want to go beyond the framework laid down by the nature. He sees beauty in its original form and hence these artists were able to see the beauty in the ruins and the destruction as well. They have quoted that even the decay is beautiful in the nature. This is off course a very liberating thought and a different viewpoint of looking at the beauty that is surrounding us. Hence the texture, the grain, the o riginality of the material is in itself transferral something through its own coarse