Explore the ways Golding presents the relationship between Goody Pangall and Roger Mason

The opening of the extract reveals that the kinship amidst the pair whitethorn not be mutual, and whitethorn get on to fineness to be threatening. This becomes appargonnt through the way in which her movements are set forth as organism brisk yet without much exit to go forward. This provokes the proofreader to fathom that there is some sort out of aggressive energy between the duo, particularly when coupled with the projected take to of open terror in her face. This may seem to be Goldings rule by which to foreshadow any abusive occurrences yet to come much(prenominal) as rape or violence.However, this whilst it may initially appear to be an abusive situation for Goody is infact quite the opposite as it is posterior revealed that her timid actions are not delinquent to fear of an aggressor, but due to the tent which is said to be feared by them both. This tent as it is described is an invisible bond between the dickens, much like the rope which one time tethered togeth er Jocelin and Pangall. This bond however, unlike that between the two priests is more or less self-enforcing as it confines them with each another(prenominal) and is described as having shut out them off from the other characters.As this union between them is said to be shut it implies that the consanguinity is intended to remain private, which is unsurprising given the ideas and value of the time and their surroundings as it would be deemed strictly improper for this affinity to continue within the sanctity of the cathedral, and in particular is between two married people which even by modern standards is considered a restrict and so bears considerable stigma.The tent forms a palpable enclosure of cover in which the pair may act as they wish without being exposed, however the opaque exterior of the tent does not necessarily keep on their discovery as it has no barrier for sound, and under close and singular scrutiny becomes transparent, revealing their scandal. The fear e xpressed by Goody Pangall may also be a sign of guilt as it would be truly shameful for her affair to be unveiled, particularly by her husband. Also, the relationship between the pair is most likely based upon a fleshly attraction derived from the base instinct, lust.As such, the timing for the emergence of their relationship lends itself volitionally to the overall plot as the stench of stagnant water and close emitted by the pit is symbolic of the Freudian id, as it is typifyed to be the more cin one casealed and inviolable facet of the church due to its profligate and disconcerting nature. As such, the surfacing of this illegitimate relationship has been timed healthy as it, like the stench is also likely to disrupt the already crumbling church community. Golding uses many alternative and diverse methods with which to present the affiliation between the couple.In this extract alone, he employs many techniques to present and investigate their association. The outset appare nt method is that of scrutinising observation from a distance, typically presented through the look of Jocelin, in a elbow room which literally means that the reader sees the land through his eyes. This is almost to be expected as Golding uses Jocelin as the central point or foundation upon which the rest of the novels extreme depth and pile is constructed throughout the book. In this manner, the reader is introduced to the affair through the reactions and indignation of Jocelin. consider also Intro to Public Relations NotesHowever, Jocelins reactions must be taken with a hint of caution as it is obvious that he in person lusts after her and so is jealous of Pangall and now of Roger as his earlier comments such as she is entirely woman would indicate. However, it may be believed that the relationship is revealed or perhaps foreshadowed prior to the point of this extract as Jocelin forces the images to the back of his capitulum and so refuses to focus upon their implications, w hich allows him to evade any in depth survey or interpretation of previous situations which the reader may now colligate to the affair.Another method which Golding uses to present the relationship is simply that of narrative observation. This is apply towards the climax of the extract as the reader is no longer see the world from within Jocelin, but is being shown his reactions to it in order to interpret its meanings and implications. The relationship is clear and obvious in its existence and to Jocelin must deliver clear meanings as it is stated that a strange certainty ferocious on Jocelin as he spied upon the pairs private meeting.In a fair removed and malignant manner, the climax of the relationship between the pair may prophesise and so foreshadows the end for Jocelin. This is due to the manner in which the death or eventual murder of Goody coupled with the severing of Jocelin from all other members of the church body such as Pangall as the rope which once bound them to gether has since been cut, even prior to his disappearance. In this manner it seems that all of Jocelins old friends now scorn or cease butt against with him as a result of his blinding ambition.As such, once Goody is no longer alive for Jocelin to lust after and all others hit deserted him, the eventual end of his life cannot be far off. Golding and then uses an intense and diverse array of methods through which to display and enhance every(prenominal) facet of the relationship. As such allowing it to be interpreted and moulded by the reader so that it may be deemed to signify, any meanings ranging from the pedestrian to the fantastic.